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Alex Hutchings: AH6 Guitar Waghorn - More Than Words Can Say

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Original Composition by Alex Hutchings. Published on Jan 4th 2014

Recorded With the AH6 Guitar by Waghorn, Dimarzio Pickups, Rotosound Strings. Laney IronHeart Amp and Roland Monitoring.

Andy Roger - Drums -
Bill Banwell - Bass -
Andy Novak - Keys -

MORE THAN WORDS CAN SAY by Alex Hutchings

Nico Schliemann: Ibanez - Glasperlenspiel - great solos

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www.nicoschliemann.de

Glasperlenspiel - Freundschaft - Guitar Solo - Nico Schliemann


Glasperlenspiel - Wie ich nicht sein will - Guitar Solo - Nico Schliemann


Jam over a new song idea - Nico Schliemann

Bruce Bouillet, Paul Gilbert: ready for Skype lessons, but is there a hidden, subliminal, message here [Racer X]?

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Bruce Bouillet

Here is one from the Young Guitar Jan. 2014.
Now accepting new students via Skype. $40 an hour session.....all time zones 7 days a week ......PM me here for details or e-mail skypeguitar1000@gmail.com

TIS: Only time will tell...

Ethan Brosh,Nili Brosh,Jon Reshard: Brick By Brick 2013

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Brick By Brick: 1130 Buenos Ave. San Diego.Ca 92110
7 videos 26 minutes

Ethan Brosh,Nili Brosh: Brick By Brick 2013

Ron Jarzombek: I hate the word “shred”. And I'm not pulling any of this “speed” vs. “feel” crap.

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The quest to become faster has killed a guitarist’s power of expression in songs to some extent. Honestly, where do you think music is heading these days, how do you see it in the future? With all the advanced technicality, theory, gadgets, more people getting into microtonal stuff, is it getting more difficult for a new age musician to come up with something fresh?

Ron: I hate the word “shred”. And I’m not pulling any of this “speed” vs. “feel” crap. You can have both, neither, or one or the other. I just think that writing, creating and just being musical is getting lost. I get so sick of all of these shred contests where guitar players play over some lame 4/4 track that someone else wrote and recorded, then post their “shred” online and think they are some great “musician”. How about work with a concept, do something interesting rhythmically, put some themes together, construct something with some substance, etc… Actually, I cringe when anyone calls me a “shredder”. If that implies that I occasionally play fast, OK fine, but please look into my writing, musical knowledge and my ability to work with concepts... Things that really make someone a guitarist/musician/composer. I just don't care to get lumped in with these speed demons who can’t even read music notation and don't know the purpose of a metronome. It really made my day several weeks ago when I saw an online clinic with Tosin Abasi (Animals As Leaders guitarist) and he stressed that learning theory and writing is very important to being a guitar player/musician.

As far as technology goes, I'm OK with that. I guess it started with synthesizers back when I was a kid, now you have instruments being played on iPhones. I understand that recording technology has improved drastically, and some people don't like it. It's just the way it is now. If it's there, take advantage of it. I remember the days very well though of me "punching in" with a foot pedal, wearing out analog tapes until they broke, etc... Now it's all so convenient. Back in the old days if you had a good take but thought you could do better, once you hit that record button your previous take is gone. Now you just hit undo, or save as another file/track. Pretty simple.

Read the full metal wani interview: http://www.metalwani.com/2014/01/interview-ron-jarzombek-on-current.html

Thiago Trinsi: Exivious Guitar Contest - another great solo!

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Hi Folks! here I am playing a solo on this Track! I hope you like it!

check it out! www.thiagotrinsi.com

You can buy my Guitar Instructional 1 here:

for only 30$ You will have 1 Instructional video + Backing Tracks + 1 Booklet
Click here to buy : http://sellfy.com/p/Cl9h

Here is the Promo Video: http://www.youtube.com/watch?v=76mnt4...

On this instructional video Thiago Trinsi demonstrates examples for major, minor, dominant and also diminished arpeggios along with extended shapes including sweep picking, string skipping, alternate picking and even 2 hand tapping arpeggios! Each example is played in real time with a backing track and then demonstrated in a close up angle and slow. Designed for players of all levels, this instructional video will take you from the basics to a whole new level


https://www.facebook.com/pages/Thiago...

Exivious Guitar Contest Entry - Thiago Trinsi


Tymon Kruidenier: Exivious and The Circle Pit guitar solo contest

Sapphire Ng: Wonderful Slippery Thing Promo Video

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Behind-The-Scenes photos:
http://www.sapphire-love.blogspot.sg/...

Sapphire Ng: Guitarist, Model, Dancer
http://www.sapphire-love.blogspot.sg/

Watch other guitar performances of Sapphire here:
Guitar cover of "The Chicken" (Jaco Pastorius)
https://www.youtube.com/watch?v=DG8qa...

Guitar cover of Candy Dulfer/Average White Band "Pick Up The Pieces": http://www.youtube.com/watch?v=ciQeYY...

Funk Skanking Technique:
http://www.youtube.com/watch?v=slhovv...

Fusion Jazz, original composition written using Dbmaj7(#5) arpeggio & F Blues scale:
http://www.youtube.com/watch?v=8qYzoA...

To read about Sapphire, the story of inspiration behind some of her compositions, articles on her guitars and guitar licks, go here:
http://www.sapphire-love.blogspot.sg/...

Sapphire Ng MODELING:
SuperCars Photoshoot 2, advanced series of poses, featuring hot pink Nissan FairLady 350Z and electric blue Toyota MR-S
http://www.youtube.com/watch?v=NNM4Ka...

SuperCars Photoshoot 1: LAMBORGHINI SuperLeggara; TOYOTA MRS; HONDA S2000.

http://www.youtube.com/watch?v=lnSxUf...


"Wonderful Slippery Thing" Sapphire Ng-Guitar Cover (Guthrie Govan) [Music Video]


live

Wonderful Slippery Thing (Guthrie Govan) - Sapphire Ng

I Wayan Balawan,Guthrie Govan: more playing from the Denpasar Festival

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The amazing Guthrie Govan and Balawan, playing in Denpasar Festival

Balawan and Guthrie Govan


Guthrie Govan vs Balawan

I Wayan Balawan,Guthrie Govan: Bali welcomes GG - mokos cafe ubud bali

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the Amazing guthrie govan Bali visit!! jamming using balawan;s guitar but still incredible

BALAWAN AND GUTHRIE GOVAN KUTA BLUES JAM 27 dec2013


amazing solo of guthrie govan when balawan inviting him to play at mokos cafe ubud bali .GG not even using his own guitar

BALAWAN AND GUTHRIE GOVAN JAMMING SPAIN 30 dec 2013

Nick Kellie: Rig Rundown, Mesa Boogie Mark 5

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Nick Kellie: me showing you my rig which includes a mesa boogie mark five

Rig Rundown, Mesa Boogie Mark 5

Frank Gambale: NAMM 2014 appearance details

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Frank Gambale

Hi Folks,
For those of you who will be visiting L.A. for the N.A.M.M. Show (National Association of Music Merchants) I have a lengthy performance schedule. Drop by and say hello.
See you there,
FG Out

Dave Brons: Exivious Guitar Solo Competition

Jack Thammarat: Jammin' on Where We Started and Lost in Rio

Enver Izmailov: Live concert - over 2 hours of russian style two handed tapping

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Live concert posted by Enver Izmailov

Enver Izmailov - 1hr 40 minutes


Enver Izmailov - 30 minutes


Энвер Измайлов первые записи Шелляле

Tom Hess: The Secret To Playing Badass Blues Guitar Licks

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The Secret To Playing Badass Blues Guitar Licks
By
Tom Hess
To play badass blues guitar licks, you must not only master the ability to play with TONS of power in your picking hand, but also prevent any unwanted string noise from occurring. Until you can do this effectively every time you play, you will struggle to make your licks sound as expressive as you want them to sound.

For most guitarists, unwanted string noise frequently occurs while playing blues licks and using wide vibrato, double stops or extra power in the picking hand. You must master the ability to play cleanly while using these techniques, otherwise your blues guitar playing will never sound as self-expressive as you want it to.
For the rest of this article you will be taken through the exact steps needed for cleaning up unwanted string noise in your blues guitar licks. WARNING: You must watch the blues guitar licks video below to hear exactly what it sounds like when blues licks are played with ZERO string noise. This will help you to understand when you are using the ideas below correctly.

After you’ve finished the video above, pick up your guitar and begin following these steps to make your blues guitar licks intense and clean at the same time.
Step One: Quickly create a new blues guitar lick containing a maximum of 2-3 notes. To give you some ideas to get started with, look at the examples below:




Example 1

Example 2

Example 3
It is crucial that you do NOT make your guitar phrases any longer than three notes (max). By only using a few notes, you will be forced to think creatively and get the most musical expression possible from each note. This is also important because it will help you focus on using proper muting technique to keep your phrases clean. Also observe how I did not notate the rhythm in the examples I provided for you. You are free to think creatively about the rhythms you use while playing these examples. Additionally, don't play all of these licks at once, choose ONE and practice it many times until it becomes second nature. Also, make sure that the last note of every lick you play ends with an upstroke (this is important for the next step).
Step Two: After using an upstroke on the last note of your lick, rest the pick on the string directly below the string you were playing on (as I demonstrated in the video above). While doing this, do NOT bring your pick up and ‘away’ from the strings. To avoid this, rest your hand on the strings using either palm muting or thumb muting in your picking hand (I highly recommend you use thumb muting in the same way it is used in the video demonstration). Take several minutes to practice this.
Step Three: Next, use any finger that is not holding the pick to mute the higher strings while playing the lick (including available fingers on the fretting hand and picking hand). If you are uncertain about how this is done, check out this article on eliminating excess guitar string noise. Again, work on this for a few minutes before moving on to the next step.
Step Four: With your picking hand, play your blues lick with as much intensity as possible by doing the following:

  • Use very heavy vibrato to emphasize any sustained notes in your lick.

  • While playing double stops, use heavy vibrato on both strings simultaneously.

  • Pick the strings with as much force as possible (don’t worry about breaking the strings).
As you play your guitar lick with a lot of intensity you will quickly understand the importance of the muting techniques you learned in the previous steps. If you are still having issues with unwanted string noise, return to the previous steps to fix the problem. As you are going through this process, don’t feel frustrated if you are unable to quickly play without creating unintentional string noise. By being patient and practicing you will master this and greatly enhance your lead guitar playing.
Step Five: Create several additional blues guitar licks or use the alternate examples I provided above and take them through the previous steps to make them as clean and intense as possible.
After you’ve mastered each of the concepts in the five steps above, it’s time to start creating many more awesome guitar licks. Learn how to come up with an endless supply of highly creative licks by checking out this video on the topic of how to play rock guitar licks.
Add even more aggressiveness to your guitar licks by studying the ideas in this video containing exercises to help you increase guitar speed.


About The Author:

Tom Hess is a successful professional guitar player, composer and international guitar teacher. He also helps musicians learn guitar online and reach their guitar playing goals. Visit his rock and metal guitar lessons site to read more articles about guitar playing, plus get free guitar tips and guitar playing resources.

Keston Barker: 10 string sound maker of doom!

Andy James: welcomes you to Shred Night in Bournemouth

Joe Chawki: jams over George Marios Afreen messing around

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More insane musicality from the fingers of Joe Chawki.

George Marios Afreen messing around


tapping bit

Dean DeLeo: Stone Temple Pilots at X103.9 Merry Meltdown 2 Jack Lue Series

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Stone Temple Pilots at X103.9 Merry Meltdown 2 Jack Lue Series

Stone Temple Pilots (often abbreviated STP), currently known as Stone Temple Pilots with Chester Bennington, is an American rock band from San Diego, California, that currently consists of brothers Robert (bass, backing vocals) andDean DeLeo (guitar), Eric Kretz (drums, percussion), and Chester Bennington (lead vocals). Since its formation, STP's line-up had remained unchanged until the dismissal of lead vocalist Scott Weiland in 2013[2] and the subsequent addition of Bennington of Linkin Park fame as his replacement vocalist.



After forming in 1985 under the name Mighty Joe Young, the band signed with Atlantic Records and changed its name to Stone Temple Pilots. STP found immediate success in 1993 after releasing their debut album Core (1992), and went on to become one of the most commercially successful bands of the 1990s.[3] The band released four more studio albums: Purple (1994), Tiny Music... Songs from the Vatican Gift Shop (1996), No. 4 (1999) and Shangri-La Dee Da (2001) before separating in 2003, after which the band members partook in various projects, most notably Velvet Revolver and Army of Anyone. STP eventually reconvened in 2008 for a reunion tour, released a new self-titled album in 2010, and have been actively touring since, although Weiland was fired from the band and was replaced by Bennington in 2013. The band's first material with Bennington, the EP  High Rise, was released October 8.[4]



While initially displaying a sound typically identified as grunge early on in its career, further releases from the band expressed a variety of influences, including psychedelic rock, bossa nova and classic rock. The band's evolution throughout the 1990s and early 2000s involved several tumultuous periods of commercial highs and lows, brought about in part by Weiland's well-publicized struggles with drug addictionhttp://en.wikipedia.org/wiki/Stone_Temple_Pilots



Full series

Per Nilsson,Michael Angelo Batio,Dave Reffett,Shane Gibson: NAMM Metal Jam 2014

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Special Thanks to Xander Demos for the update

Present/Former Members Of WHITESNAKE, TED NUGENT, DIO, ANTHRAX, ALICE COOPER, KORN, RISING FORCE, STARZ, AGENT STEEL, THE IRON MAIDENS, HOLY GRAIL, SCAR SYMMETRY, NITRO, CHASTAIN, ANGRA, OBITUARY, POSSESSED, ARTHEMIS, EXCITER, ALCATRAZZ, HURRICANE To Take Part In NAMM Metal Jam 2014
NAMM Metal Jam 2014 will take place on January 22nd, 2014 at the Whiskey A-Go Go in West Hollywood, CA, one day prior to the start of the NAMM Convention in Anaheim. The convention runs from January 23-26. “NAMM Metal Jam” is an All Ages event. The venue is located at: 8901 Sunset Blvd, West Hollywood, Ca. Tickets are available via 

http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3906474
The concert was organized by original ANTHRAX vocalist Neil Turbin (DEATHRIDERS) and solo artist/Guitar World columnist Dave Reffett. Turbin & Reffett will co-headline the event along with guitar legend MICHAEL ANGELO BATIO (NITRO, HOLLAND) and the Metal All-Star Jam, featuring former/present members of: WHITESNAKE, TED NUGENT, DIO, ANTHRAX, KORN, RISING FORCE, THE IRON MAIDENS, HOLY GRAIL, NITRO, CHASTAIN, OBITUARY and more.

* The “Metal Jam” portion of the show will feature an array of guest all-star performers. The official lineup of artists on this year’s event is:

  • Derek St. Holmes (Ted Nugent, Whitford St. Holmes) - Vocals, Guitar
  • Glen Sobel (Alice Cooper) - Drums
  • Michael Devin (Whitesnake) - Bass Guitar
  • Rowan Robertson (Dio, DC4) - Guitar
  • Mark Boals (Dio Disciples, Ring Of Fire, Yngwie J. Malmsteen's Rising Force) - Vocals
  • Michael Angelo Batio (Solo artist, Nitro, Holland) - Guitar
  • Neil Turbin (DeathRiders, Anthrax) - Vocals
  • Dave Reffett (Shredding The Envelope, Guitar World) - Guitar
  • Bill Hudson (Emphatic, Circle II Circle, Cellador) - Guitar
  • Ralph Santolla (Obituary, Deicide) - Guitar
  • Per Nilsson (Scar Symmetry) – Guitar
  • Aquiles Priester (Angra, Hangar, Vinnie Moore)
  • Andrea Martongelli (Arthemis) - Guitar
  • Mike Hansen (Hurricane, George Lynch, Steve Vai) - Drums
  • Tony Cavazo (Hurricane) – Bass Guitar
  • Eli Santana (Holy Grail) - Guitar
  • Courtney Cox (The Iron Maidens) - Guitar
  • Linda MacDonald (The Iron Maidens) - Drums
  • Kirsten Rosenberg (The Iron Maidens) - Vocals
  • Rigo Amezcua (Agent Steel) - Drums
  • Juan Garcia (Agent Steel, Masters of Metal) - Guitar
  • Mitch Stewart (Circle II Circle) – Bass Guitar
  • Shane Gibson (Korn) - Guitar
  • Robert Cardenas (Possessed, Agent Steel) – Bass Guitar
  • Jeff Bowders (Paul Gilbert Band, G3, POD) - Drums
  • Veronica Freeman (Benedictum) – Vocals
  • Leather Leone (Chastain) – Vocals
  • Clammy (Exciter) – Bass Guitar
  • Greg Walls (Anthrax) – Guitar
  • Howie Simon (Alcatrazz, Nelson) - Guitar
  • Dino Deluke (Sledd, Nemesis) - Drums
  • Peter Deluke (Sledd, Nemesis) - Keyboards
  • August Zadra (Dennis DeYoung (Styx) Band) – Guitar
  • Michael Lee Smith (STARZ, Looking Glass, Hellcats) - Vocals
  • Steve "Zeus" Johnstad of Mayday, Son, NRG - Vocals
  • Thane Farace (Ghost Of War, Bloodied Angels) - Guitar
  • Stuart Fujinami (Reverend, Heretic) – Guitar
  • Annie Grunwald (Formless) - Guitar
  • Sean Elg (DeathRiders, Nihilist) - Drums
  • Arnold Gonzalez (DeathRiders) - Guitar
  • Michael Lopez (DeathRiders) - Bass
  • Casey Trask (DeathRiders) – Guitar
  • Joe Gettler (Razormaze) – Guitar
  • Xander Demos (Sabbath Judas Sabbath) - Guitar
  • Joe Rose (Michael Angelo Batio’s Intermezzo album) - Guitar
  • Lisa Margaroli (Celebrity Trash) - Vocals

More info can be found at: https://www.facebook.com/nammmetaljam
Special Host MC: Caleb Smith of New Zealand’s “The Sick Room” Radio Show. Sponsored by Madison Amps LLC.

The “NAMM Metal Jam” concert event (now in its 7th year) proudly features many of the metal worlds finest musical artists from across the globe and gives them a spot to shine. The event gets bigger every year and is a tribute to all things Rock & Metal.
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